Maza's Bazaar

"If there's nothing left but originality, who'll be bored?" Probably me. I always did have a penchant for ingenuity.

About me I'm a writer in new york. previously, i worked at the baltimore sun, where i covered the music industry and youth culture, and at the miami new times, where i wrote cover stories on cuban punks and strippers, AMONG OTHER THINGS. Im now covering media for Women's Wear Daily.*

erikmaza[at]gmail[dot]com

I tweet here

Mixed Media
The Morning News
Romenesko
The Awl
Molas Super Poco
Bookforum
New Directions


obvs, anything i write in this biblical scroll should not be mistaken for the views of whatever entity ive conned into employing me.
Sure, dip into all the tinabrownenfreude. It’s super easy to dog the woman. She loses a couple of editors, some ad pages, it’s suddenly Talk all over again. But the most telling moment from Koblin’s story today comes at the end, when Tina interacts with her boss, Barry Diller, a man who’s been the bitchiest of all ballbusters since his days at Paramount. Here’s Diller in all his gay Disney villain glory in the most memorable story from Peter Biskind’s great Easy Riders, Raging Bulls.

Sure, dip into all the tinabrownenfreude. It’s super easy to dog the woman. She loses a couple of editors, some ad pages, it’s suddenly Talk all over again. But the most telling moment from Koblin’s story today comes at the end, when Tina interacts with her boss, Barry Diller, a man who’s been the bitchiest of all ballbusters since his days at Paramount. Here’s Diller in all his gay Disney villain glory in the most memorable story from Peter Biskind’s great Easy Riders, Raging Bulls.


Comments (View)
blog comments powered by Disqus

Twitter Updates

follow me on Twitter