Maza's Bazaar

"If there's nothing left but originality, who'll be bored?" Probably me. I always did have a penchant for ingenuity.

About me I'm a writer based in baltimore, md. previously, i worked at the miami new times, where i wrote cover stories on cuban punks and strippers, AMONG OTHER THINGS. Im now a features reporter at the Baltimore Sun.*

erikmaza[at]gmail[dot]com

I tweet here

Mixed Media
Baltimore Sun
Scocca
WTMD
There Were Ten Tigers
Ottobar
Metro Gallery
The Get 'Em Mamis
The Morning News
Arts & Letters Daily
FYOF
Sarasota Herald

Barcelona, of interest
Barcelona best-of
Le Cool
Paco y Manolo
La Vanguardia
Babelia
FT's Currency
Iguapop
Miscelanea
Icanteachyouhowtodoit
La penultima
Gridskipper
Filmoteca de Catalunya


obvs, anything i write in this biblical scroll should not be mistaken for the views of whatever entity ive conned into employing me.
Sure, dip into all the tinabrownenfreude. It’s super easy to dog the woman. She loses a couple of editors, some ad pages, it’s suddenly Talk all over again. But the most telling moment from Koblin’s story today comes at the end, when Tina interacts with her boss, Barry Diller, a man who’s been the bitchiest of all ballbusters since his days at Paramount. Here’s Diller in all his gay Disney villain glory in the most memorable story from Peter Biskind’s great Easy Riders, Raging Bulls.

Sure, dip into all the tinabrownenfreude. It’s super easy to dog the woman. She loses a couple of editors, some ad pages, it’s suddenly Talk all over again. But the most telling moment from Koblin’s story today comes at the end, when Tina interacts with her boss, Barry Diller, a man who’s been the bitchiest of all ballbusters since his days at Paramount. Here’s Diller in all his gay Disney villain glory in the most memorable story from Peter Biskind’s great Easy Riders, Raging Bulls.


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